Hit and Run (Keller #4)

Keller's a hit man. For years now he's had places to go and people to kill.

But enough is enough. He's got money in the bank and just one last job standing between him and retirement. So he carries it out with his usual professionalism, and he heads home, and guess what?

One more job. Paid in advance, so what's he going to do? Give the money back?In Des Moines, Keller stalks his designated target and waits for the client to give him the go-ahead. And one fine morning he's picking out stamps for his collection (Sweden 1-5, the official reprints) at a shop in Urbandale when somebody guns down the charismatic governor of Ohio.

Back at his motel, Keller's watching TV when they show the killer's face. And there's something all too familiar about that face. . . .

Keller calls his associate Dot in White Plains, but there is no answer. He's stranded halfway across the country, every cop in America's just seen his picture, his ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps.

Now what?

Hit Me (Keller #5)

A man named Nicholas Edwards lives in New Orleans renovating houses, doing honest work and making decent money at it. Between his family and his stamp collection, all his spare time is happily accounted for. Sometimes it's hard to remember that he used to kill people for a living.

But when the nation's economy tanks, taking the construction business with it, all it takes is one phone call to drag him back into the game. It may say Nicholas Edwards on his driver's license and credit cards, but he's back to being the man he always was: Keller.

Keller's work takes him to New York, the former home he hasn't dared revisit, where his target is the abbot of a midtown monastery. Another call puts him on a West Indies cruise, with several interesting fellow passengers-the government witness, the incandescent young woman keeping the witness company, and, sharing Keller's cabin, his wife, Julia. But the high drama comes in Cheyenne, where a recent widow is looking to sell her husband's stamp collection...

Hit Man (Keller #1)

Keller is an assassin – he is paid by the job and works for a mysterious man who nominates hits and passes on commissions from elsewhere. Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite.

But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

Hit List (Keller #2)

Keller is a regular guy. He goes to the movies, works on his stamp collection. Call him for jury duty and he serves without complaint. Then every so often he gets a phone call from White Plains that sends him flying off somewhere to kill a perfect stranger. Keller is a pro and very good at what he does. But the jobs have started to go wrong. The realization is slow coming yet, when it arrives, it is irrefutable: Someone out there is trying to hit the hit man. Keller, God help him, has found his way onto somebody else's hit list.

Hit Parade (Keller #3)

Keller is friendly. Industrious. A bit lonely, sometimes. If it wasn't for the fact that he kills people for a living, he'd be just your average Joe. The inconvenient wife, the troublesome sports star, the greedy business partner, the vicious dog, he'll take care of them all, quietly and efficiently. If the price is right.

Like the rest of us, Keller's starting to worry about his retirement. After all, he's not getting any younger. (His victims, on the other hand, aren't getting any older.) So he contacts his "booking agent," Dot, up in White Plains, and tells her to keep the hits coming. He'll take any job, anywhere. His nest egg needs fattening up.

Of course, being less choosy means taking greater risks—and that could buy Keller some big trouble. Then again, in this game, there are plenty of opportunities for some inventive improvisation . . . and a determined self-motivator can make a killing.